Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Arakawa, Tsuneko: J.P. Kirnberger no Ongaku Riron -- 'Die Kunst des reinen Satzes in der Musik' o Chushin ni. OngakuGaku 19/1 (1973), 1-12. [J.P. Kirnberger and his music theory--concerning his Die Kunst des reinen Satzes in der Musik.] | |
| 2. | Arakawa, Tsuneko: Seiji, Keizai, Shukyo, Geijutsu -- Dresden to Leipzig no Baai. BCJ 36 (Nov 1998), 10-14. [Politics, Economics, Religion, Arts -- the case of Dresden and Leipzig] | |
| 3. | Arakawa, Tsuneko: Doitsu ni okeru 17-Seiki Zenhan no Tsuso Teion Soho ni kansuru Shiron: Luther-ha no Shukyoteki Seigaku Sakuhin no Baai. OngakuGaku 44/1 (1998), 1-15. [A theory on the early 17th-century thorough-bass methods in Germany in the sacred vocal works of the Lutheran school] | |
| 4. | Arakawa, Tsuneko: Concerto kara Kyokai Kantata e no Michi: Dresden Kyutei ni okeru 2ri no Italia-jin Gakucho ni tsuite. [fs]Sumikura70 (2002), 125-135. [The road from concertos to church cantatas: Two Italian kapellmeisters at the Dresden court] | |
| 5. | Arakawa, Tsuneko: Johann Sebastian Bach Sakkyoku Kantata Dai-123-Ban 'Aisuru Imanuel, Shinko atsuki Mono no Shogun yo' ni tsuite. FerrisStud 1 (Nov 2003), 42-45. [On Cantata no.123 'Liebster Immanuel, Herzog der Frommen' composed by Johann Sebastian Bach] | |